ives fill…, Peter Bogdanovich called this era the “juvenilisation” of cinema, and it’s easy to see his point. After an extraordinary ten-year period that contained artistically challenging American classics as varied as The Graduate (1967), 2001: A Space Odyssey (1968), Butch Cassidy and the Sundance Kid (1969), Easy Rider (1969), MASH (1970), The French Connection (1971), A Clockwork Orange (1971), The Last Picture Show (1971), Cabaret (1972), The Godfather (1972), The Exorcist (1973), Mean Streets (1973), Chinatown (1974), One Flew Over the Cuckoo’s Nest (1975), Dog Day Afternoon (1975), Taxi Driver (1976), All the President’s Men (1976), Annie Hall (1977), and many others, a shift occurred. The eyes of Hollywood executives filled with the dollar signs th…