irection, considering the twist in question doesn’t materialise for a substantial part of the opening movement. But if you’ve seen the trailer, the poster, or any other publicity material, you already know what’s going … Men (2011), but here it seems intended to misdirect ahead of a bloody exercise in vampiric mayhem. It’s a shame the marketing department decided to ignore said misdirection, considering the twist in question doesn’t materialise for a substantial part of the opening movement. But if you’ve seen the trailer, the poster, or any other publicity material, you already know what’s going to happen.